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Marian Catherine McQuaid 

1941-2024

Marian McQuaid died peacefully on Dec. 23, 2024, at Halcyon House, after a lengthy illness.

A Funeral Mass will be held 10 a.m. Saturday, Dec. 28, 2024, at Holy Trinity Catholic Church in Richmond, Iowa, with Fr. Bill Roush officiating. Interment will take place at the Calvary Cemetery in Benton County, Iowa. Memorials have been established for Hospice of Washington County or to St. James Catholic School for their lunch program. The Jones and Eden Funeral Home is assisting the family with arrangements. Online condolences may be sent for Marian’s family at www.jonesfh.com.

Marian Catherine (Nolan) McQuaid was born to Emmett and Lorna (Cox) Nolan in Cedar Rapids on Sept. 5, 1941. Marian graduated from Regis High School and Mount Mercy College in Cedar Rapids. Marian married Paul “Corky” McQuaid. They later divorced. Marian worked as a special education teacher, and later, a special educational consultant for Heartland AEA.

Throughout her life, Marian was involved in volunteer activities. In 2017, she was honored as Iowan of the Day at the Iowa State Fair for her involvement in bringing the Main Street program to Guthrie Center. She was also a founding member of the Guthrie Center Arts Council and was active in Friends of the Mary J. Barnett Library in Guthrie Center. Marian was a lifelong learner. She was especially proud of becoming a Master Gardener in her retirement.                                         

Marian will be deeply missed by her daughter, Mary Catherine “Katie” Mitchell; son-in-law, Mark; grandchildren, Cecelia and Conagher Mitchell, of Riverside; and step-daughter, Julia McQuaid of Coralville. She was preceded in death by her parents. 

The family would like to give their profound thanks to the staff at Halcyon House and Hospice for their devotion and commitment to caring for Marian in her last days. 

Nostalgia for the 1990s hits an all-time high in ‘Y2K’

Eli (Jaeden Martell) and Laura (Rachel Zegler) lead the pack of high school misfits. “Y2K” R | 91 minutes Director: Kyle Mooney Writer: Kyle Mooney, Evan Winter Stars: Jaeden Martell, Rachel Zegler, Julian Dennison

 

It’s messy, uneven and often frustrating, but it’s also packed with laugh-out-loud moments and a nostalgic charm that’s difficult to resist.

 

By David Rowley | Special to the Times Vedette

Kyle Mooney and Evan Winter’s “Y2K” is a throwback to the dope show that was the late 1990s — packed with outrageous humor, absurd situations and a hefty dose of nostalgia. It’s a movie that knows its audience — those who lived through dial-up internet, pop-up-filled monitor screens, Sharpie-covered mix discs, and Millennium Bug hysteria. Forget Easter eggs; audiences are treated to a plateful of “member berries” that feel like a warm, chaotic hug. 

The idea behind “Y2K” is simple: A group of high school misfits finds themselves at the epicenter of Y2K panic when a supernatural event, triggered by the infamous computer glitch, spirals their quiet suburban town into comedic carnage. Mooney and Winter clearly have an eye for absurdity, and the setup provides fertile ground for their blend of over-the-top comedy and outlandish scares.

“Y2K” excels in its meticulous recreation of the era. The film is a love letter to the quirks of late-1990s culture, from the ritualistic blowing on video game cartridges to the unmistakable buzz of a dial-up modem. The soundtrack, featuring the likes of Limp Bizkit, Mandy Moore, and Fatboy Slim, doesn’t just set the tone — it transports viewers back in time. Every detail, from Fred Durst roasting his own legacy to panicked teens burning mix CDs for social survival, feels crafted with loving precision. For anyone looking to revel in the oddities of Y2K panic, the film delivers in spades.

Much like classic Sam Rami horror, “Y2K” also leans heavily into humor, and for the most part, it works. The film is packed with shrewd sight gags, ridiculous plot beats, and over-the-top kills that keep the energy high. Death by compact discs? A possessed Tamagotchi? The absurdity is relentless, with each scene attempting to outdo the last in sheer chaos. These moments highlight the filmmakers’ knack for blending gore and laughs.  

Yet, beneath the glow of CRT monitors and open button-down shirts, “Y2K” stumbles when it comes to delivering characters and an emotional core as strong as its aesthetic, leaving viewers entertained but ultimately uninvested. Even the film’s attempts at heartfelt moments fall flat. Eli (Jaeden Martell) and Laura (Rachel Zegler) lead the pack of high school misfits, but their archetypes — the awkward nobody and the cool kid with a geeky side — are all too familiar. Their romance, which should serve as the emotional heart of the film, feels underdeveloped, overshadowed by the film’s constant barrage of gags and references. 

An epilogue featuring Eli visiting a friend’s grave aims for poignancy but lacks the weight to land effectively. These moments feel like obligatory beats in a story more concerned with its spectacle than its soul. As a result, the characters come across as props to support the film’s nostalgia-fueled antics rather than fully realized individuals.

The double-edged sword of the movie’s fun frenetic energy is pacing, with some sequences dragging on too long and scene transitions that feel jarring, making the narrative feel more like a series of sketches than a cohesive story.

While the dedication of “Y2K” to its setting is admirable, it occasionally works to the film’s detriment. The barrage of cultural references, though entertaining, sometimes feels like a crutch, propping up a story that struggles to deliver meaningful character arcs or emotional depth. It’s clear the filmmakers poured their love for the late 1990s into every frame, but this focus on aesthetic and era leaves the narrative hollow at times.

An ambitious, chaotic love letter to a bygone era, “Y2K” is filled with laugh-out-loud moments, absurd set pieces, and meticulous attention to its late-1990s setting. It’s a film that thrives on its nostalgia and comedic energy, offering plenty for fans of the era to enjoy. However, its flaws — uneven pacing, underdeveloped characters, and a lack of emotional resonance — keep it from reaching its full potential.

If you’re looking for a perfectly crafted story, “Y2K” might leave you stalled. But if you’re in the mood for a nostalgia-soaked comedy with a gleefully absurd streak, it’s a ride worth taking — quirks, glitches and all. 

My first car

Rita King shows her 1969 Chevy Camaro.

 

Locals share beloved stories about their first vehicles

 

By Rich Wicks | Guthrie Center Times

Whether it was a brand new roadster or an old jalopy that was barely road-worthy, most of us can recall our first car. And these first cars often have the best stories. Here are a few from the area.

 

King found a car she can’t part with

The story of Rita King’s first car is really the story of her second car. She didn’t keep her first car very long, and the “old Ford” didn’t find a special place in her heart during its brief tenure.

But her second car is another story.

The interior of Rita King’s 1969 Camaro.

“I had just turned 17 on Sept. 24, and on Sept. 29 I was driving by Erickson’s Garage, which is a car dealer in Denison. I saw this car there, and I called my mom, and she said, ‘Walk across the street to the bank, borrow some money, and I’ll co-sign.’ The bank lent me the money, and I walked across the street to Erickson’s. Then, as I was paying for it, some other people came in to buy it. So, I had just beaten them to it.”

The car was a 1969 Camaro Rally Sport.

“I sold my old Ford to a friend, and I’ve kept this car ever since,” King said. “I bought it for $1,100, and it has 49,000 actual miles.”

King explained the car wasn’t a showpiece when she bought it, but she was able to see the beauty underneath.

“When I bought it, it was kind of an olive goldish green color, and it had a brown vinyl top and a green interior. It was not pretty.”

So King undertook the long process of getting the car into the condition she wanted.

“I parked it for several years in my dad’s garage. Later on, after the kids were grown, I had more time and money to work on the car. We took out the seats and brought them to Fort Dodge and had them reupholstered up there,” King said. “We hired someone to do the rest of the bodywork.”

She also upgraded the engine.

“John Hoaff of Stuart did all of my motor work. It originally came with a 327, and I didn’t like that motor, so I had it replaced,” King said.

Now that the Camaro is all fixed up, King has chosen to show it off more often.

“I just started putting it in shows last year,” she said, adding that it has already won several awards at local shows. 

King explained that, over the years, she has moved many times but always kept the Camaro. Also, although she has heard numerous offers from people wishing to buy the car, she has no plans to sell it and said that seems to run in her family.

“I have a sister who has a 1969 Chevelle Convertible. I have a brother who has a 1930 Rat Rod. I have another brother who has a 1966 Chevy SS 2,” King said. “So, we are full of old cars in our family, and we always hold on to them.”

King has only one minor change planned for her car.

“I just need to have new springs put in back, because it sits too low and puts a little twist on the driveshaft. But that’s the only thing I’m going to do to it,” King said. “I just love driving it. It brings back memories from years ago.”

 

Coffman blows off steam in his 1955 Chevy

Jack Coffman not only remembers his first car but still has it, along with some great stories. It’s a 1955 Chevrolet that he has owned for more than 50 years. 

Jack and Deb Coffman drive his 1955 Chevy in the 2024 All-School Reunion parade.

“I bought it from my brother in 1969. He’d bought it as his first car in 1966, and he paid $150 from my uncle,” Coffman said. “Then in three years, when I turned 16, he sold it to me for $75. And we kept that until about the time we got married, in 1973.”

Coffman told of an explosive incident back in the day.

“Really, the fun story about that car is I took a bunch of kids to the drive-in theater over in Panora around the Fourth of July. We snuck three of them in the trunk, and we had fireworks with us,” Coffman said. “Well, after the movie was over, we left and started lighting the fireworks and throwing them out of the car. Well, they lit a cherry bomb, and it hit the upright on the window and bounced back into the car and went off. It blew a hole in the seat.”

Naturally, this required a pit stop.

“We pulled over to the side of the road, and smoke was just pouring out. We were lucky we didn’t get killed,” Coffmann said. “I left that hole in the seat as a reminder. And, actually, the kid that was on top of the cherry bomb, it didn’t blow a hole in his pants, but it blew a hole in his underwear.”

Sometimes, what goes around comes around. 

“When I had the car in the All-School Reunion this year, the radiator blew, so smoke and steam were everywhere,” Coffman said. “And then somebody in our group said, ‘I remember the last time I saw this car with smoke pouring out of it.’ ”

 

Thomas recalls one of many cars

Garold Thomas has always liked cars, and it shows. Over the years, he’s owned many, but one of his first cars stands out. 

Garold Thomas shows the car that’s close to his heart.

“I have several Camaros, but there is a 1967 Camaro, and I can’t recall exactly how long I’ve had it. It’s not a fancy one, but this is one of my first cars that has special meaning to me,” Thomas said. “I got it from a friend of mine, and the reason it’s special to me is because he passed away from cancer at an early age. He had sold the car to a guy that was going to make a stock car out of it, but he never paid my friend, so my friend said, ‘I’ll sell it to you. You’ll just have to round up all of the parts.’ ”

To say the car was a “fixer upper” would be putting it mildly. 

“When I bought the car, it was basically four wheels and tires and two doors and a steering wheel,” Thomas said. “The motor was gone, the transmission was gone, the whole front clip was gone, the interior was gone. It took several years to get it done, but I got it back to its original form. It’s just a nice little car. I don’t even drive it much, but I do get it out once in a while. It’s special to me because my friend passed away about four years after I got that car.”

Thomas explained that he restored the car his way.

“I got the car put together the way I wanted. I got stripes on there, even though they’re not ‘factory stripes,’ but they’re the way I wanted them,” he said. “I used to do a lot of the work myself. I can install an engine or change a transmission. At one time, I used to do the body work and painting, but I haven’t done that in several years. I learned by working at a body shop part-time when I was growing up in high school and college.”

Camaros are well-known as sporty muscle cars, so it is natural to enjoy “putting the pedal to the metal.”

“If anybody has a sports car like that and tells you they don’t know how fast it goes, they’re probably not being honest,” Thomas said.

He recalled being a lead-footed driver in his younger days.

“When I was in high school and my first couple years of college, I was a street racer,” Thomas said. “In my hometown, we had a spot where we would go out and block off the highway and have drag races. The farmers out along there would bring out their easy chairs and sit down to watch.”

Nowadays, Thomas doesn’t feel the need for speed like he did in his youth, but he enjoys driving his Camaro occasionally, and sometimes enters cars in a show.

“I used to put my cars in shows more often, but, in the last few years, I don’t do that as much,” he said.. 

Thomas admits, with a smile, that his urge to collect and restore cars may sometimes go beyond a simple hobby.

“It becomes a sickness. I’ll see a car sitting there in bad shape, but I visualize it as it will look when it’s done, and that’s a bad trap to fall into, because I forget how much work it will take to get it there,” Thomas said. “It adds up in a hurry. I went through my car titles the other day and counted them up. I have 84 of them, in all kinds of conditions.”